The Boy Friend (1971)
Written and Directed by Ken Russell
Adapted from the play by Sandy Wilson
Starring Twiggy, Christopher Gable, Max Adrian, Bryan Pringle, Tommy Tune, Antonia Ellis, Barbara Windsor, and Vladek Sheybal
When the Celluloid Zeroes started talking about doing a Ken Russell round of reviews, I thought I’d write up Savage Messiah. Since Russell is most remembered now for horror and the cult rock opera Tommy, I wanted to look at something different. Unfortunately, I’d lent my copy to someone I don’t see often. Running an Amazon search on his name turned up a 1971 musical that I’d never heard of, which would be released on blu in time for the roundtable. I preordered it and hoped for the best.
Bite Me! (2004)
Written Directed by Brett Piper
Starring Erin Brown (as Misty Mundae), Julian Wells, Rob Monkiewicz, Erika Smith, Michael R. Thomas, Caitlin Ross, and Sylvianne Chebance
If you’re setting out to review every big spider movie commercially available, you’re going to eventually have to deal with sleazy movies. I’m talking low-budget films with lots of gratuitous nudity and sex, simulated or otherwise. When I did a movie podcast years ago, the episode that broke me was about Jess Franco’s Mari-Cookie and the Killer Tarantula. Two of my friends took my displeasure as a challenge and watched for themselves. One said he’d seen worse but agreed it wasn’t good. The other sent a messenger to kick me in the junk for him. At least I’d earned it.
Valley Of The Dragons (1961)
aka Prehistoric Valley
Directed by Edward Bernds
Written by Edward Bernds and Donald Zimbalist
Based on the novel Career of a Comet by Jules Verne
Starring Cesare Danova, Sean McClory, Joan Staley, and Danielle De Metz
Jules Verne is perhaps best remembered today for the novel Twenty Thousand Leagues Under the Sea. The story of Nemo and his advanced submarine has been adapted to screen many times, as have his works Journey to the Center of the Earth and Around the World in Eighty Days. So popular were movies of Verne’s adventure stories that it was tempting to produce anything that his name could be attached to. For instance, by using just the barest premise of Of On a Comet (here credited as the subtitle of the translation called Hector Servadac; or The Career of a Comet) the producers of Valley of the Dragons were able to promote a rambling Lost World ripoff as being a Jules Verne movie.
King Solomon’s Mines (1985)
Directed by J. Lee Thompson
Written by Gene Quintano and James R. Silke based on the novel by H. Rider Haggard
Starring Richard Chamberlain, Sharon Stone, Herbert Lom, John Rhys-Davies, Ken Gampu, and June Buthelezi
Raiders of the Lost Ark made a huge splash when it came out in 1981, immediately creating a wave of adventure movies. The success of Romancing the Stone in 1984 proved that the treasure-hunting genre still had plenty of steam in it, although imitators of both films fell rapidly into the forgotten crevices of empty theaters. It was inevitable that Cannon Films would try to catch the train and hubris that they’d do so with a 2-picture deal for the dusty adventures of Allan Quatermain, the Great White Hunter.
The Sea Serpent (1984)
aka Serpiente de mar
aka Hydra
Directed by Amando de Ossario (as Gregory Greens)
Written by Amando de Ossario (as Gordon A. Osburn)
Starring Timothy Bottoms, Taryn Power, Jared Martin, and Ray Milland
Amando de Ossario is deservedly remembered for the series of Blind Dead movies, which pitted the desiccated corpses of Knights Templar against various towns (and one boat) in Spain. The first few movies are chilling and original takes on the freshly-minted risen dead genre, and the simple effects play very well. So instead I wanted to take a look at his swan song, The Sea Serpent. He’d live roughly another two decades after this film but never direct again.
The Giant Spider Invasion (1975)
Directed by Bill Rebane
Written by Richard L. Huff and Robert Easton
Starring Steve Brodie, Barbara Hale, Robert Easton, Leslie Parrish, Alan Hale Jr., Bill Williams, and Diane Lee Hart
A lot of horror movies have misleading titles. The Monster That Challenged the World, for example, merely bothered a small boat. One thing I can say in defense of The Giant Spider Invasion is that its title is not technically a lie. There are spiders that are ecologically invasive, and one of them is indeed effing huge. That’s about the only thing impressive about it. The spider, I mean. More on that later.
Cat-Women of the Moon (1953)
Directed by Arthur Hilton
Written by Roy Hamilton, Al Zimbalist, and Jack Rabin
Starring Sonny Tufts, Victor Jory, Marie Windsor, William Phipps, Douglas Fowley, Carol Brewster, Susan Morrow, and Suzanne Alexander
American society had changed during WWII. A shortage of men had brought women into the manufacturing workplace to help with the war effort, and with over 400,000 US casualties a lot of men weren’t coming back to reclaim those jobs. The men who prided themselves for saving the world felt threatened by the new independence of women, and their fear expressed itself in the repressive attitudes expressed as norms in television and films of the time. It can be difficult to recognize this in some of the more popular media, which comes off as merely dated. For your entry-point into seeing the reactionary misogyny of the time you need a clumsy and blatant display of it such as presented in the film Cat-Women of the Moon. As plot details are important to making this point, spoilers for a terrible 63-year old movie abound.
Ticks (1993)
Directed by Tony Randel
Written by Brent V. Friedman
Starring Rosalind Allen, Ami Dolenz, Seth Green, Virginya Keehne, Alfonso Ribeiro, Peter Scolari, Ray Oriel, Dina Dayrit, Barry Lynch and Clint Howard
There have been several films about minuscule terrors; Phase IV and The Flesh Eaters come immediately to mind. Likewise The Beginning of the End and The Empire of the Ants present the peril of small things vastly enlarged. There is a minor niche in between for films about the tiny grown to not-very-big, and within that the chief example is Ticks.
A Report on the Party and Guests (1966)
aka O slavnosti a hostech
Directed by Jan Nemec
Written by Ester Krumbachová and Jan Nemec
Starring Ivan Vyskocil, Jan Klusák, Jiri Nemec, Pavel Bosek, Karel Mares, Evald Schorm, Jana Pracharová, and Zdena Skvorecka
A Report on the Party and the Guests
The word ‘brave’ gets used a lot. Bakery owners are brave for refusing service to homosexuals and then slandering them online. Citizens are brave for responding to Black Lives Matter protests with clarification that Blue and All matter as well. Donald Trump is brave for saying the openly racist and xenophobic things that “everyone is thinking”. Yes, there’s a lot of bravery in defending the existing power structures against those who’d like to be treated as human beings. For a real example of bravery look at Jan Nemec and the cast and crew of A Report on the Party and Guests.
Yokai Monsters: Spook Warfare (1968)
aka Yôkai daisensô (Big Monster War)
Directed by Yoshiyuki Kuroda
Written by Tetsurô Yoshida
Starring Yoshihiko Aoyama, Hideki Hanamura, Chikara Hashimoto, Hiromi Inoue, Akane Kawasaki, and Gen Kuroki
Yôkai is one of the Japanese terms for monsters, particularly ghosts or apparitions. Some were drawn from genuine folklore, but many sprang from the imagination of artists. Whatever their origins they’re the inspiration for a lot of modern Japanese entertainment, particularly comics and animation. The best-known designs for some of them are based on the suits created for Yokai Monsters: Spook Warfare.
Web of the Big Damn Spider 
