Tag Archive | movie

Warning Shadows (1923)

aka Schatten — Eine nächtliche Halluzination
Directed by Arthur Robison
Written by Arthur Robison and Rudolph Schneider
Starring Alexander Granach, Fritz Kortner, Ruth Weyher, and Gustav von Wangenheim

warningshadows_title

A lot of amazing stuff was going on in cinema during the 1920s. Feature films became predominant, telling longer and more complex stories to audiences willing to invest time in them. Movie palaces, seating a thousand and more patrons, became a part of the American cityscape. The advent of synchronized sound in 1927 remained the biggest game-changer until movies could be shot in color. In this climate of popularity and growth, some filmmakers were inclined to be more adventurous in their efforts. Such a director was Arthur Robinson, who decided to make his film Warning Shadows even more silent than the medium required.

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Vampire Circus (1972)

Directed by Robert Young
Written by Judson Kinberg, George Baxt, and Wilbur Stark
Starring Adrienne Corri, Thorley Walters, Anthony Higgins, Laurence Payne, John Moulder-Brown, Lalla Ward, Robert Tayman, and David Prowse

vampirecircus_title

With their 1958 release of Horror of Dracula Hammer Film Productions brought new life to vampire movies. By the 1970s the market had shifted, and the studio tried various ways to repackage the monsters to suit the modern audience. One result was the Karnstein Trilogy, which featured female nudity and lesbian sexuality. Dracula A.D. 1972 brought Christopher Lee’s Dracula to swinging London, which went about as usual but with different clothes and embarrassment all around. Then there’s the truly original Vampire Circus, which failed to make money but gained a following.

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The Uninvited (1944)

Directed by Lewis Allen
Written by Dodie Smith and Frank Partos
Based on the novel Uneasy Freehold by Dorothy Macardle
Starring Ray Milland, Ruth Hussey, Donald Crisp, Cornelia Otis Skinner, Alan Napier, and Gail Russell

I miss the simple grandeur of title cards.

I miss the simple grandeur of title cards.

In 1961 Disney released 101 Dalmatians, creating yet another beloved classic. What does the animated tale of the world’s largest litter of puppies have to do with a gothic romantic comedy from 17 years earlier? The answer is simple on the surface, but the further I dug into it the more convinced I became that it would end in tears and Kevin Bacon. I forced myself to stop pursuing connections before I went looking for a power drill to open my mind. I will share just a bit of what I found, but be warned that you should probably avoid power tools for a while.

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Torso (1973)

Directed by Sergio Martino
Written by Sergio Martino and Ernesto Gastaldi
Starring Suzy Kendall, Tina Aumont, Luc Merenda, and John Richardson

The far more unwieldy but accurate original title THE BODIES PRESENTED TRACES OF CARNAL VIOLENCE.

The far more unwieldy but accurate original title THE BODIES PRESENTED TRACES OF CARNAL VIOLENCE.

I’m a fan of giallo, the Italian mystery genre known for gloved killers, sometimes beautiful set pieces, and increasingly bizarre plots. So when something like Torso becomes available in a nice, restored reissue it’s not hard to guess where my paycheck’s going. After all, it’s infamous for having been censored in its English-language release. That must’ve been some great footage, right? Well, no. Not really. As it turns out, the best parts don’t contain very much gore or nudity.

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Return From Witch Mountain (1978)

Directed by John Hough
Written by Malcolm Marmorstein
Characters by Alexander Key
Starring Bette Davis, Christopher Lee, Kim Richards, Ike Eisenmann, Jack Soo, and Anthony
James

I always get the prepositions wrong on these movies.

I always get the prepositions wrong on these movies.

Tia and Tony are back in human civilization for an unsupervised visit, which turns out to be exactly as bad of an idea as it sounds. Having avoided the Trump-like clutches of Aristotle Bolt in Escape to Witch Mountain, you’d like to think that the space children had learned to keep their mental powers secret. Yet within moments of screen time after leaving Uncle Bene, Tony saves a falling man in as noticeable a way as he can manage and is kidnapped by Doctor Victor Gannon (Christopher Lee) and his patron Letha Wedge (Bette Davis). It’s up to Tia and the four kids of the Earthquake Gang to save Tony and Los Angeles.

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Queen of Blood (1966)

Written and directed by Curtis Harrington
Based on footage from Mechte navstrechu by Mikhail Karzhukov and Otar Koberidze
Starring John Saxon, Basil Rathbone, Judi Meredith, Dennis Hopper, and Florence Marly

The title artwork is terrific. It looks like vintage science fiction covers.

The title artwork is terrific. It looks like vintage science fiction covers.

Queen of Blood is a patchwork movie, built around footage from at least two Russian films: Mechte navstrechu and Nebo zovyot. Roger Corman snapped up the U.S. rights to the films and gutted them to use for his own features. Nebo zovyot was mostly turned into Battle Beyond the Sun, while Mechte navstrechu became the basis for this one. Given this origin, it’s remarkable that the film actually works.

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Out of the Dark (2014)

Directed by Lluís Quílez
Written by Javier Gullón, David Pastor, and Àlex Pastor
Starring Julia Stiles, Scott Speedman, Stephen Rea, Vanesa Tamayo, and Pixie Davies

It took two viewings for me to realize why the titles are underwater.

It took two viewings for me to realize why the titles are underwater.

We’ve somehow gotten to a place where we expect ghosts to be justified in their actions. There has to be a sympathetic reason that they cause havoc, especially if they kill people. One of the things I love so much about The Legend of Hell House is that the entire motivation for the ghost’s actions is that he was a vicious bastard in life. You can’t reason with sheer malice. That’s not the case in the more standard supernatural thriller Out of the Dark, which features not one but two groups of dead children.

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The Monster Squad (1987)

Directed by Fred Dekker
Written by Shane Black and Fred Dekker
Starring Andre Gower, Robby Kiger, Stephen Macht, Duncan Regehr, and Tom Noonan

The monsters are in a squad but the Monster Squad has no monsters.

The monsters are in a squad but the Monster Squad has no monsters.

In the 1940s, Universal was desperate to keep raking in that sweet monster movie cash but only had a few new monsters in their roster. Sequels weren’t quite doing it, so someone hit on the idea of having a few of them meet. After Frankenstein Meets the Wolf Man met with success, Dracula was tossed into the mix (almost literally) for House of Frankenstein and then House of Dracula. The Mummy was supposed to be worked in somewhere, but that plan never came to fruition. Fortunately, The Monster Squad corrects this oversight.

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Krampus (2015)

Directed by Michael Dougherty
Written by Todd Casey, Michael Dougherty, and Zachary Shields
Starring Adam Scott, Toni Collette, David Koechner, Allison Tolman, Krista Stadler, and Emjay Anthony

Nothing like a festive mob scene.

Nothing like a festive mob scene.

THIS REVIEW GIVES AWAY THE ENDING OF THE FILM

Families can be a pain, especially when everyone gets together solely from a sense of obligation. What should be a time of joyful reunion becomes an endurance test, as everybody picks at each other’s emotional scabs. Good times. The consolation is that every now and then it can be the basis for a really good satire like the Christmas horror film Krampus. You’ve seen the heartwarming dysfunctional-family Christmas comedies. Everyone hates each other and yells, but at the end the “True Spirit of Christmas” prevails and harmony is restored. Even the most bitter or transgressive holiday film follows this pattern. Krampus does as well, but in a way that undermines the genre’s theme of hope and reconciliation.

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Jessabelle (2014)

Directed by Kevin Greutert
Written by Robert Ben Garant
Starring Sarah Snook, Mark Webber, Joel Carter, David Andrews, and Ana de la Reguera

The title blurs a lot, so it's difficult to capture in a single image.

The title blurs a lot, so it’s difficult to capture in a single image.

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