The Attic (1980)
Directed by George Edwards and Gary Graver
Written by Tony Crechales and George Edwards
Starring Carrie Snodgress, Ray Milland, Ruth Cox, Rosemary Murphy
The 1973 film The Killing Way presented the gruesome murders of women that follow the release of a man convicted of rape. I’ve never seen it, but that’s okay. It’s irrelevant for this review except for its connection to The Attic. You see, the main characters of The Attic — Louise Elmore and her father Wendell — were side characters in The Killing Way, played by Luana Anders and Peter Brocco. Writers Tony Crechales and George Edwards decided to reuse them here, making it not quite a sequel but at the least a shared universe. Fortunately, this loose connection means that you can enjoy The Attic without having seen The Killing Way.
Hubrisween Is Coming!
It’s that time of the year again! The Web of the Big Damn Spider is proud (and foolish) to be participating in the 4th annual Hubrisween event. Starting on Thursday, October 6th, TWotBDS and other review sites will each post a review of a Halloween-appropriate movie every day until the ghosts and goblins arrive.
Follow the links in each post to read all of the day’s reviews, or follow along from the Hubrisween index.
The Spider Labyrinth (1988)
Directed by Gianfranco Giagni
Written by Riccardo Aragno, Tonino Cervi, Cesare Frugoni, and Gianfranco Manfredi
Starring Roland Wybenga, Paolo Rinaldi, Margareta von Krauss, and Claudia Muzi
There are certain things I just know I have to watch. Giant spider movies, naturally. Italian horror is another favorite. I can’t say no to noir, especially the sort where investigation leads to doom. Anything with Ray Milland in it. So when I learned that The Spider Labyrinth was an Italian horror-noir about a spider cult, I nearly fainted with joy. Good thing Milland wasn’t in it!
The 5,000 Fingers of Dr. T. (1953)
Directed by Roy Rowland
Written by Dr. Seuss and Alan Scott
Starring Mary Healy, Hans Conried, Tommy Rettig, and Peter Lind Hayes
Dr. Seuss (Theodor Geisel) is a treasured part of our cultural consciousness. He wrote and drew seemingly hundreds of books for children, taking them through basic language lessons and whimsical diversions to allegorical fables of tolerance and equality. Say “one fish, two fish” to someone raised with English as a first language, and they’ll probably reply immediately with “red fish, blue fish”. (I would also believe this to be true for the speakers of the dozens of languages into which his books have been translated.) Seussisms are a shorthand language that we reference freely in the certainty of being understood. Even if someone doesn’t instantly recognize the word sneech, within five words of explanation they remember the story of the sneeches having stars placed on and then removed from their bellies in order to appear superior to each other. What most have forgotten, if they ever knew of it at all, was that the first live-action Seuss film was The 5,000 Fingers of Dr. T.
Strait-Jacket (1964)
Written by Robert Bloch
Directed by William Castle
Starring Joan Crawford, Diane Baker, Leif Erickson, John Anthony Hayes, and George Kennedy
William Castle was a man who liked his gimmicks. He’d have theaters rigged with swooping skeletons or buzzers placed under seats. There were glowing coins and votes for how the film should end. But his greatest gimmick may have been casting Joan Crawford as an axe murderer who’s spent 20 years in an asylum. It’s not a glamorous role, but it’s a juicy one; and it’s far better than the usual parts for older actresses at the time (or even now, sadly). With a script by Robert Bloch (author of the novel Psycho was based on), Crawford may have even been optimistic about its reception. Sadly, it would not live up to the incredible What Ever Happened to Baby Jane?, which she’d made only a few years previously.
Ator, the Fighting Eagle (1982)
aka Ator l’invincibile
Directed by Joe D’Amato
Written by Joe D’Amato and Michele Soavi
Starring Miles O’Keeffe, Sabrina Siani, and Ritza Brown
The sword and sandal genre once thrived, with heroes like Hercules and Samson knocking down pillars and wrestling lions. Maybe it died off because other cheap fare was more marketable, or perhaps an audience that had rejected tight shorts on men now demanded their heroes wear pants. Whatever the cause, it wasn’t until Arnold Schwarzenegger donned the loincloth for Conan the Barbarian that buff men running around in their underwear muscled their way back into theaters.
Multiple Emmy Winner to Fight Giant Spiders
Thanks to the Onion AV Club, we now know that Kelsy Grammer is set to star in a giant spider movie called The Nest. Not the greatest title, but funnel web spiders are much more promising than roaches I suppose. I, of course, will love it regardless of actual quality.
Yongary (1967)
Directed by Ki-duk Kim
Written by Ki-duk Kim and Yun-sung Seo
Starring Yeong-il Oh, Jeong-im Nam, and Sun-jae Lee
Reportedly, Yongary was nearly a lost film. The original copies destroyed, the only remaining version is the American TV cut — edited, dubbed, and cropped. While there are films we can all wish had survived instead, I’m grateful that we have anything left of this Korean monster flick. Otherwise I’d never have believed my friend Tim that there was a giant monster movie where the monster is defeated by making it itch until it bleeds out from the ass.
I generally try to avoid spoilers, but if you’re anything like me you’ll want to see it now, because there’s knowing this ending and then there’s witnessing it. Seriously, I nearly cried. The little guy suffered so damn much, and just the night before they did him in he was happy and dancing.
I mean, sure, Yongary devastated Seoul and was well on his way to consuming all of the oil in South Korea, but is that any reason to make him die by itching? Missiles would be both understandable and acceptable. Freezing is another humane option. Perhaps digging a very large hole.
What makes it truly horrifying is that the film’s requisite annoying youth (here named Icho) begs them to stop torturing Yongary. This is met with the Grim Adult Face and something lame about having to kill him in the most hideous way they could concoct. Then they go home and presumably put chili powder in the fish tank.
When Yongary is wrecking things, it’s a pretty decent movie. The suit is nicely realized and avoids looking like a Godzilla rip-off by a comfortable few inches. Despite some effect flubs, such as a clearly visible gas pipe for Yongary’s flame breath, it’s some enjoyable model wrecking. There are some awful matte shots trying to combine crowds with shots of Yongary, but they’re mercifully few.
Plot-wise it’s a bit thin. There’s some business that doesn’t go anywhere with sub-orbital surveillance, and the movie can’t get enough of Icho’s flashlight of science. (It possibly ties in because the beam makes people itch, but that’s pretty thin.) Other than that, there’s not much to it, I’m afraid. Still, it’s got that ending, and that’s something priceless.














