Directed by Lewis Allen
Written by Dodie Smith and Frank Partos
Based on the novel Uneasy Freehold by Dorothy Macardle
Starring Ray Milland, Ruth Hussey, Donald Crisp, Cornelia Otis Skinner, Alan Napier, and Gail Russell
In 1961 Disney released 101 Dalmatians, creating yet another beloved classic. What does the animated tale of the world’s largest litter of puppies have to do with a gothic romantic comedy from 17 years earlier? The answer is simple on the surface, but the further I dug into it the more convinced I became that it would end in tears and Kevin Bacon. I forced myself to stop pursuing connections before I went looking for a power drill to open my mind. I will share just a bit of what I found, but be warned that you should probably avoid power tools for a while.
Directed by Peter Sykes
Written by Clive Exton and Terry Nation
Starring Frankie Howerd, Ray Milland, Hugh Burden, Kenneth Griffith, and Rosalie Crutchley
There are times in which I believe that I don’t understand humor. Watching Jim Carrey and Adam Sandler rise to fame, I nearly became convinced that I didn’t. I do enjoy comedies, but I tend not to risk watching them unless I’ve heard good things from people I trust. A bad action or horror film can be fun in their own ways, but I find bad comedies excruciating. Being funny is the whole point, so when I can’t laugh with one I can’t enjoy it at all. To be honest, there are two exceptions to that general rule, and both are due to my affection for the soundtracks. The scores by The Kinks and Herb Alpert & the Tijuana Brass make the movies Percy and Casino Royale, respectively, worthwhile for me. For the “old, dark house” spoof The House in Nightmare Park I clung desperately to my adoration of Ray Milland, and that mostly saw me through.
Directed by John Hough
Written by Robert M. Young
Based on the book by Alexander Key
Starring Eddie Albert, Ray Milland, Donald Pleasence, Kim Richards, Ike Eisenmann, and Denver Pyle
If you asked me who my favorite child actor at Disney was when I was growing up, I’d say Jodie Foster. Her hidden-treasure movie Candleshoe lodged in my brain and never left. But if for some reason you’d excluded Foster from the choices, I’d definitely give you a give you two answers: Kim Richards and Ike Eisenmann. They seemed to be everywhere, and most importantly they were Tia and Tony Malone: the Witch Mountain kids.
Directed by Georg Fenady
Written by Norman Katkov
Starring Dennis Cole, Susan Sullivan, Leslie Nielsen, Julie Sommars, Ray Milland, Sheila Larken, and James Olson
Irwin Allen was the legendary producer behind Voyage to the Bottom of the Sea (film and show), The Poseidon Adventure, The Towering Inferno, and the shows Lost in Space, The Time Tunnel, and Land of the Giants. He also let this made-for-TV movie happen, which is just the sort of thing that’s bound to turn up eventually on a lengthy CV.
Directed by George Edwards and Gary Graver
Written by Tony Crechales and George Edwards
Starring Carrie Snodgress, Ray Milland, Ruth Cox, Rosemary Murphy
The 1973 film The Killing Way presented the gruesome murders of women that follow the release of a man convicted of rape. I’ve never seen it, but that’s okay. It’s irrelevant for this review except for its connection to The Attic. You see, the main characters of The Attic — Louise Elmore and her father Wendell — were side characters in The Killing Way, played by Luana Anders and Peter Brocco. Writers Tony Crechales and George Edwards decided to reuse them here, making it not quite a sequel but at the least a shared universe. Fortunately, this loose connection means that you can enjoy The Attic without having seen The Killing Way.