Directed by Shyam Ramsay and Tulsi Ramsay
Written by J.K. Ahuja, Shyam Ramsay, Omar Khayyam Saharanpuri, and Safi Ur-Rahman
Starring Jasmin, Hemant Birje, Sahila Chaddha, Kulphushan Kharbanda, Satish Shah, Rajesh Vivek, Roy Kamal, Vijayendra Ghatge, and Gulshan Grover
Reviewing movies from unfamiliar cultures can be challenging. I’ve been watching Japanese movies and shows for long enough that I have at least some context for films like Organ. India is a large country with many distinct and separate regions, and watching only a small number of Indian movies in no way provided me context for Veerana. Therefore, for this review I will assume that anything I find weird, confusing, or off-putting is a result of my own ignorance.
Directed by Mary Lambert
Written by Michael Dougherty and Dan Harris
Starring Kate Mara, Robert Vito, Tina Lifford, Ed Marinaro, Michael Coe, and Rooney Mara
Urban legends were all the rage in the late 1990s and early 2000s, in no small part due to the exhaustive series of books about them by Jan Harold Brunvand. These took the stories out of the realm of academic journals and presented them for enjoyment to a larger audience. It was inevitable that we’d get a slasher film using these modern folk tales as a gimmick. It was also probable that the sequels would wind up being released direct to video, as was the case with the third installment Urban Legends: Bloody Mary.
Directed by Claire Denis
Written by Claire Denis and Jean-Pol Fargeau
Starring Vincent Gallo, Tricia Vessey, Béatrice Dalle, Alex Descas, and Florence Loiret Caille
I’m generally willing to meet a film at least half way. A slowly paced story with lengthy silences isn’t a deal-breaker for me, and the horror of the human condition is my kind of thing. English, French, Japanese, Hindi — the language doesn’t matter as long as I can follow along with subtitles. But at the end of the journey, I need to have felt something more than tedium. Trouble Every Day only added irritation for me.
Directed by Spike Lee
Written by Spike Lee and Bill Gunn
Starring Stephen Tyrone Williams, Zaarah Abrahams, Rami Malek, Elvis Nolasco, Felicia Pearson, Katherine Borowitz, Joie Lee, and Naté Bova
For a long time, it wasn’t easy to see Ganja & Hess, especially not as originally released. The distributors pulled it from theaters, recut it (removing around a half an hour from its run time), and re-released it as Blood Couple. A complete print was donated to MoMA and has had a few releases, most recently though Kino Lorber. I mention this because because by doing a remake of the film as Da Sweet Blood of Jesus, Spike Lee essentially brought Bill Gunn’s version to a wider audience.
Directed by Antonia Bird
Written by Ted Griffin
Starring Guy Pearce, Robert Carlyle, Jeffrey Jones, Stephen Spinella, Jeremy Davies, Neal McDonough, David Arquette, and Joseph Runningfox
Cannibals are one of the lesser horror monsters. Since 1977 they’ve primarily been mutants, hillbillies, or mutant hillbillies, but throughout the history of film they’ve been refined gourmets, restauranteurs, ghouls, zombies, and even middle-class Americans. One seldom-used take is based on the Algonquian legend of the wendigo, a powerful being may once have been human. An interpretation of this creature is the basis for Antonia Bird’s remarkable horror movie Ravenous.
aka, Something Creeping In the Dark
Written and Directed by Mario Colucci
Starring Farley Granger, Lucia Bosé, Giacomo Rossi Stuart, Stelvio Rosi, Mia Genberg, Gianni Medici, and Dino Fazio
I have a high tolerance for Italian horror cinema. Incoherent plots and terrible dubbing are par for the course, but stellar locations, inventive set pieces, and the occasional flair for lighting and cinematography are the rewards I often get for overlooking those failings. Yet every now and then I trip over a dud like Qualcosa striscia nel buio that leaves me face down in the poop juice, questioning my commitment to Sparkle Motion.
Written and directed by Emily Hagins
Starring Rose Kent-McGlew, Alec Herskowitz, Tiger Darrow, Tony Vespe, and Rebecca Elliot
When she was 12 years old Emily Hagins started filming Pathogen with the help and support of her parents. Due to school commitments and inexperience it took over a year to get the film completed and ready to show. (It played at the Alamo Drafthouse, which the Hagins frequented.) While I’m easily swayed by creativity and effort, I’m not always kind in my reviews. This movie has me in a sort of critical form of double vision because I don’t want to crap on the creative efforts of a tween, but it’s really not very good.