Directed by Dan Curtis
Written by Robert Blees and Earl W. Wallace
Starring Anthony Franciosa, Donna Mills, Patty Duke, June Lockhart, June Allyson, Max Gail, Jeff Corey, Sid Caesar, and Vic Morrow
In the annals of Western cinema there are many monsters that take a human form, revealing their true nature only to kill. Perhaps the most tragic is the werewolf. Victim of a communicable curse, the lycanthrope is an unwilling servant of evil chained to the lunar cycle. But there are other beasts whose transformations are tied to the Moon: weremoths, werepanthers, and in Curse of the Black Widow a werespider.
Directed by Jack Sholder
Written by Mark Sevi
Starring Chris Potter, Alex Reid, José Sancho, Neus Asensi, Ravil Isyanov, and Luis Lorenzo Crespo
It feels like most of the time we see giant spiders in the wild, they’re in caves. Certainly when they’re the focus of the plot, they’re in or approaching population centers. The one in Arachnid is an outlier in a number of respects, but primarily for spending the entire film on a tropical island.
Directed by Gary Jones
Written by Boaz Davidson, Stephen David Brooks, Jace Anderson, and Adam Gierasch
Starring Lana Parrilla, Josh Green, Oliver Macready, Nick Swarts, Mark Phelan, and Leslie Zemeckis
Ever since H.G. Wells wrote The Food of the Gods, scientists have been creating bigger spiders. Usually it’s in the pursuit of better nutrition, but every now and then it’s a straightforward attempt to weaponize arachnids. The film Spiders is the first entry in a series of movies based on this inadvisable weapons program.
Directed by Chris Munger
Written by Daniel Cady and Warren Hamilton Jr.
Starring Suzanna Ling, Ernesto Macias, Herman Wallner, Patricia Landon, Beverly Eddins, and Jay Scott
I like independent movies. Sometimes they’re derivative, trying to cash in on whatever made a lot of money recently, but they can also allow creativity to flourish outside of the scrutiny of corporate oversight. In some cases, these films can rise above the setbacks of low budgets and inexperience before and behind camera to give us a refreshingly novel approach. I’d like to make the case that Kiss of the Tarantula is such a gem.
Directed by Peter Yates
Written by Stanford Sherman
Starring Ken Marshall, Lysette Anthony, Freddie Jones, Francesca Annis, Alun Armstrong, David Battley, Bernard Bresslaw, Liam Neeson, John Welsh, and Robbie Coltrane
When I think of swashbuckling, I picture fantastic adventure and daring heroes, such as Sinbad and Robin Hood. The Buck Rogers comic strips and serials brought the sensibilities of the style into the realm of science fiction, and Star Wars launched a powerful franchise out of the mixture of fantasy, adventure, and technology. There have been quite a lot of imitators, but few ever approached the delightful world-building or production values achieved by Krull.
The Giant Spider (2013)
Written and Directed by Christopher R. Mihm
Starring Shannon McDonough, Daniel Sjerven, Billie Jo Konze, Michael Cook, James Norgard, and Mark Haider
Homage movies can be a challenge to review. More than most movies they are meant to be seen in the context of a particular genre and/or period of filmmaking, depending on the audience having at least passing familiarity with the sources. It’s similar to the spoof, which relies on audience expectations built from one or more previous movies. They can be hard to distinguish at times — much of the humor of The Lost Skeleton of Cadavracomes from deliberately crafted flaws, typical of the movies it emulates — but in general the homage seeks to tell a story more than to poke fun. Such a film is The Giant Spider
Written and Directed by Edward Bernds
Starring Hugh Marlowe, Nancy Gates, Nelson Leigh, Rod Taylor, Shirley Patterson, Lisa Montell, Christopher Dark, and Everett Glass
One of the most enduring science fiction stories is The Time Machine, by H.G. Wells. Apart from popularizing the notion of time travel, it influenced the way we think about the future in terms of what will become of the human race and its civilizations. Humanity splits in two, with the Eloi physically dwindling and living in shiny towers while the Morlock grow strong laboring underneath. While Wells’ work stressed the division between the working and ruling classes, others would use the premise to make their own statements. The film World Without End uses the threat of nuclear war to create a future where humans on the surface are enslaved by mutants while those who sheltered below ground are failing to thrive.
Directed by Jeff Leroy
Written by Eric Spudic
Starring Lisa Jay, Jeff Ryan, Phoebe Dollar, Calley Edmunds, and Ron Jeremy
Some movies aren’t good. Some movies are so bad they’re enjoyable. Some movies try to be so bad they’re enjoyable and wind up on SyFy. Some movies take that as a challenge and appear to be created as some form of social experiment to find out if people will actually watch anything. I owe apologies to some of the movies I’ve panned, because Creepies proved that it’s possible to be more artless and less ambitious than The Asylum.
Directed by John S. Robertson
Written by Clara Beranger, based on the play by Thomas Russell Sullivan, based on the novel by Robert Louis Stevenson
Starring John Barrymore, Martha Mansfield, Brandon Hurst, Charles Lane, Cecil Clovelly, and Nita Naldi
The story of Jekyll and Hyde is one of the foundations on which modern horror is built. Not only does it have the scientist experimenting on himself, but it lays out the format for internal crises of morality and identity being played out in physical manifestations. Certainly werewolves existed in folklore and fiction beforehand, but they were evil and corrupted in human form as well. Larry Talbot’s struggle against the beast inside of him has more to do with Henry Jekyll than with legend. In one of the most fascinating adaptations of the book, however, Jekyll isn’t initially trying to exorcise evil from the human condition but to let himself enjoy it.
aka The Gold Spider
Written and Directed by Segundo de Chomón
This one is a special treat. Not only is it the earliest big spider movie I’ve heard of, but it’s also one of the oldest surviving representations of a spider on film! It’s only eight minutes long, and one shot is badly damaged, but L’araignée d’or is a splendid example of early narrative film and special effects.